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This Monday, between 6 and 10 p.m., friends and family of Johnny Allon They met in the Yarlori wake room, at 3300 Murguiondo Street in the City of Buenos Aires, to say their last goodbye to Johnny Allon. The driver and musician died this Sunday at the age of 82. And the sad news was confirmed by his son. Gustavo to Blonde Chuba family friend, who told Teleshow that the man was overcome with tears.
Months ago, the presenter had announced his return to television. And, a few hours before his death, he shared on his official Instagram account a video of him speaking in front of the camera to publicize his return to work with the beginning of your program Tivi Channelan Internet site. “How are they? Again… today at 1 p.m. and at 10 p.m., again, I accompany you and you accompany me”Johnny assured his social media followers. And he closed with his classic phrase: “Change the music for me!”
It is worth remembering that Antonio Juan Sánchez -such his real name- was born in Buenos Aires on February 14, 1941. Son of a hairdresser and a stay-at-home mother, he grew up in Villa Lugano with the whims of a spoiled only child, until at the age of 11 his brother was born. Throughout his relationship, he declared only two stable partners throughout his life. With Adela he had a son, Gustavo; When they separated, he met Silvia, with whom he fathered Julián.
Rock lover (he listened to Bill Halley and Elvis Presley) and admirer of Glenn Miller, when he was a teenager he began singing his songs in English, phonetically, or as Johnny himself recognized it, doing “a sanata…”. In high school he formed a group with his friends, until they got to television. Later would come his launch as a solo singer, based on his great charisma.
A great friend of Sandro and Carlos Menem, throughout his career he was at the forefront of those cycles that we all saw at least once, like Johnny Allon Show, Always Saturday and Johnny Allon Presents (with which he arrived in Miami), among others. Eccentric and even bizarre, he recorded phrases that can be heard in any everyday conversation, such as “give him power.” It all started on Channel 2 of La Plata, in the cycle Meteor shower, back in 1968: Allon went to sing, but since the driver couldn’t be there that day, they suggested – for lack of any other option – that he entertain him. And he did not disappoint. Maybe television wasn’t expecting it. There was no need for it: he created his own space. “I was always on small channels,” he lamented, “but the big ones copied me.” was planted.
In his role as a businessman, Johnny managed to produce shows by great national rock figures, such as León Gieco, Soda Stereo and Los Ratones Paranoicos, among many others; They all played in his club. But, aware that “you have to give people what they want,” at a certain point he began to pay attention to another rhythm when he perceived its enormous potential, although perhaps it did not suit his musical palate. . In this way he ended up becoming “the inventor of the bailanta”, according to his own definition. Pioneer, he was he; he is undoubtedly. For example, Gilda sang on one of his records when she was just starting out.
Only the pandemic – which he found so difficult to overcome, bored as he was at home – could interrupt his time on television. He had turned to humor: “People have to laugh,” stood out from his cycle. And although it no longer seemed appropriate to his wife that she should seek to continue at such a dizzying pace on the threshold of 80 years of age, Allon ignored it. He said, to anyone who wanted to listen, that staying on the couch in his living room meant “waiting for death.” And more: “I’m going to give it until I die, because I love what I do,” he warned, mischievously and with a smile. The same one that she showed when pointing at the camera before exclaiming: “Caaaaachange the music for me!”
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